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Narrated by Deocampo in English, the film documents the anti-Marcos revolution, the life of Oliver (a transvestite who was the subject of the first film in the trilogy), child prostitution, and the filmmaker's own personal history, including his homosexuality, his filmmaking, and his travels abroad.Movie details
Title : Revolutions Happen Like Refrains in a SongRelease : 1987-01-01
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Runtime : 50
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Rating :
5 out of 10 From 1 Users
Homepage : Homepage Movie
Trailer : Video Trailer
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Get this from a library! Revolutions happen like refrains in a song. [Nick Deocampo;] -- The third part of Nick Deocampo's award-winning trilogy of short Super-8 films about life in the eighties under dictator Ferdinand Marcos is, as Deocampo says, "an exercise in low-budget film making. ...
Revolutions Happen Like Refrains in a Song on mubi.com. Find trailers, reviews, and all info for Revolutions Happen Like Refrains in a Song by Nick Deocampo.
Get this from a library! Refrains happen like revolutions in a song. [John Torres; Ciriaco Gibraltar; Tope Grabato; Che Villanueva;] -- Using mainly footage from his travels on Panay Island, John Torres creates a narrative that is an interweave of Philippine myth, a fictionalized version of Philippine history and the story of Sarah, ...
Much of the footage in Refrains Happen Like Revolutions In A Song was shot by John Torres outside of the context of a formal shooting schedule; carrying a small digital camera with him, Torres ...
Refrains Happen Like Revolutions in a Song on mubi.com. Find trailers, reviews, and all info for Refrains Happen Like Revolutions in a Song by John Torres.
Revolutions Happen Like Refrains in a Song (1987) Quotes on IMDb: Memorable quotes and exchanges from movies, TV series and more...
Refrains Happen Like Revolutions in a Song. Documentary, Drama - 2010 Add to Watchlist. Add to Seenlist. Add to Blacklist. Add to or remove from a custom list. 0 Comments. 8.3 N/A N/A Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in ...
Narrated by Deocampo in English, the film documents the anti-Marcos revolution, the life of Oliver (a transvestite who was the subject of the first film in the trilogy), child prostitution, and the filmmaker's own personal history, including his homosexuality, his filmmaking, and his travels abroad.' Jonathan Rosenbaum
Get this from a library! Revolutions happen like refrains in a song. [Nick Deocampo;] -- The third part of Nick Deocampo's award-winning trilogy of short Super-8 films about life in the eighties under dictator Ferdinand Marcos is, as Deocampo says, "an exercise in low-budget film making. ...
Revolutions Happen Like Refrains in a Song on mubi.com. Find trailers, reviews, and all info for Revolutions Happen Like Refrains in a Song by Nick Deocampo.
Get this from a library! Refrains happen like revolutions in a song. [John Torres; Ciriaco Gibraltar; Tope Grabato; Che Villanueva;] -- Using mainly footage from his travels on Panay Island, John Torres creates a narrative that is an interweave of Philippine myth, a fictionalized version of Philippine history and the story of Sarah, ...
Much of the footage in Refrains Happen Like Revolutions In A Song was shot by John Torres outside of the context of a formal shooting schedule; carrying a small digital camera with him, Torres ...
Refrains Happen Like Revolutions in a Song on mubi.com. Find trailers, reviews, and all info for Refrains Happen Like Revolutions in a Song by John Torres.
Revolutions Happen Like Refrains in a Song (1987) Quotes on IMDb: Memorable quotes and exchanges from movies, TV series and more...
Refrains Happen Like Revolutions in a Song. Documentary, Drama - 2010 Add to Watchlist. Add to Seenlist. Add to Blacklist. Add to or remove from a custom list. 0 Comments. 8.3 N/A N/A Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in ...
Narrated by Deocampo in English, the film documents the anti-Marcos revolution, the life of Oliver (a transvestite who was the subject of the first film in the trilogy), child prostitution, and the filmmaker's own personal history, including his homosexuality, his filmmaking, and his travels abroad.' Jonathan Rosenbaum
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